| Hey folx, Lurkey here!
Just got back from NYC where I saw the aforementioned bands play in
the afuckingforementioned park.
The show was so hot it made me wet. Literally!
Everyone put away their umbrellas in a most considerate fashion when
openers Stellastarr* took the stage. The audience got uncomplainingly
drenched for the remainder of their set. While I have heard they're
named after a PJ Harvey song, their was nothing at all of the chanteuse
in their music, which leans toward 80's modern rock, with a 90's alt-rock
stage presence to de-retro-fy it slightly. Whatever, you guys aren't
reading this to hear about Stellastarr*, but anyway to sum it up, they're
derivative, yes (Psychedelic Furs, The Cure), but in a pleasant, ultra-catchy
way.
Ok, on to the Yeah Yeah Yeahs, who really impressed the Lurk. Singer
(term used loosely) Karen O. showed up dressed for the weather in a
multicolored day glo one-piece swimsuit, augmented by a clear plastic
poncho. The guitarist did his best polite Keith Richards impression
and the drummer was just, kinda, there. But the O did it up right, adding
zest to a bunch of mid-tempo boilers that served mostly to display her
confidence and style as a consummate frontwoman. My advice? Check em
out. I plan to revisit their albums now that I feel like I can connect
with the material. The live show is bangin! At one point K. O. tore
through her poncho while screaming like it burned and I almost popped
Lurkeywood. Fuck! Girl ain't human.
By the time the lights went down for the DEVO show, we were almost dried
out and Karen O. had taunted the rain gods numerous times. We got to
see stupid fucking Clear Channel employees adjusting the video parameters
for about half an hour with their dumbass, non-windows-understanding
folly. Eventually, they arrived a satisfactory setting and the torment
was over. It was time for the return of DEVO, their first show in Central
Park in 25 years! General Boy came onscreen to introduce the concert,
dispensing such advice as, "Don't get burned by a spud or spudette
holding a lit cigarette." This was vintage material, straight off
the "Truth about De-Evolution" DVD compilation. Then we were
treated to a montage of memorable DEVO moments from all of their videos,
as the synth riff to "That's Good" built to a climax. The
screen lifted, and the 5 pioneers who got scalped bolted onstage, in
the classic garb of yellow jumpsuits and red energy dome helmets. DEVO
really had returned!
They rocked That's "Good and Girl U Want" before launching
into an inspired rendition of "Whip It" (you know, the Swiffer
commercial song). The band looked hale and game for rocking all night.
Mark Mothersbaugh was his animated self, not missing a single robotic
illustration of the band's wry lyrics. Especially focused was his brother
Bob 1, who tore through his guitars with a vengeance. It was like he
had been practicing all through the 90's, waiting for his band to call
upon him to rock anew. His riffs sounded as fresh as they were first
recorded. The Casale brothers kept up on bass, guitar, and keys, greatly
aided by the solid presence of biz go-to drummer Josh Freese. Jerry
seemed most pumped as he repeatedly called out the Bush administration
and the current stifling political climate as proof of de-evolution!
Halfway through the set, he singsonged, "It's getting hot in herre,
gonna take off all my clothes" as the band, following Karen O's
example, ripped their jumpsuits to pieces, revealing black DEVO shorts
and t-shirts underneath. Gross!
All was to be forgiven, however, as the band continued to deliver a
classic set, never hitting a lame note. They played their angular cover
of the Stones' "Satisfaction," "Gut Feeling," "Gates
of Steel," "Uncontrollable Urge," "Mongoloid,"
"Blockhead" and more! My favorite was "Smart Patrol/Mr.
DNA" I must have looked like one of those spuds in an 80's DEVO
vid to that song, with my untrimmed mop flailing and cheesy raincoat
rippling with delight. We shall see, as the whole event was being taped
for a special on New York's ABC 7. "Jocko Homo" was a crowd
pleaser, with Mark goading the crowd to scream ape sounds along with
the ancient art-school milestone. When the band left the stage, everyone
screamed for more. Of course DEVO returned for an encore - "Freedom
of Choice!" What an awesome song.
For the grand finale, the baby-faced Booji Boy himself took the mic
for a powerhouse reading of "Beautiful World." His microphone
was attached to a weird little keyboard. They broke the song down to
just a beat, and Booji Boy gave a shout-out to NYC in his disturbing
falsetto. Then he demonstrated his musical prowess, riffing away on
his little keyboard to everyone's delight. "That's just in case
you though we hadn't learned anything new in the past 20 years,"
he gloated. The band resumed their encore of "Beautiful World,"
and, just as Booji Boy shouted, "But! Not! For! Me!" the sky
let loose a torrential dousing that seemed to come from nowhere. Having
truly devolved, the crowd let out a collective simian whoop and ran
for the gates.
Rating: 5
     
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